At that time I was working at the scientific publishing house of Georg Thieme as a production supervisor. Suddenly an interdepartmental feeling of community reigned, which we had not felt previously and which surely doesn’t exist today. We celebrated; we celebrated day and night. We held together when the pressure from the company management increased. We shared information freely and helped each other with true camaraderie.

It was entirely in the spirit of the times that I asked my friend Helmut Gann, an assistant in company management and the only one of us to have access to the Publishers Weekly of the German Book Trade (Börsenblatt des deutschen Buchhandels), to be on the lookout for any job offerings up north, because I intended to visit some friends in the Ruhr region and while on the road I had in mind to look in on a few places.

This was not really a serious step toward a planned career. In the long run I actually envisaged myself in a publishing management position, but the prevailing wisdom of those days leaned more toward letting go and opening yourself up, and not so much toward targeted career moves.

Unfortunately, very little was available just that week. The Heidesheim Verlagsanstalt, a small southern publishing house in Swabia specializing in horse and rider literature, was looking for a director. And in Frankfurt, the Publishers Association of the German Book Trade wanted to have someone “who could get the job done.” I went to Heidesheim and came back with good chances of getting the job, but once I was back in Stuttgart, I immediately sat down and sent off a refusal. My feeling for life at that time called out for expanding my horizons, for opening them up. The road to Heidesheim would have led me even more deeply into the darkness of provincial Swabia. Stuttgart was bad enough!

But the German Publishers Association? Could the path to emancipation ever lead through an administrative apparatus that had such a bad name among those employed in the book trade as did that of our federation in Frankfurt? That gave me the shivers.

“No, no!” Gann advised. “Look them up! This isn’t the German Publishers Association; these are the people who put on the Fair – they’re really wild! Give it a try, even if it’s only to have a little fun. I also applied there once on a whim.”

At that moment Helmut and I had no idea that with the sentence, “This isn’t the German Publishers Association; these are the people who put on the Fair,” he was foreshadowing a conflict that would keep me engaged for decades.

So I went, not very enthusiastically, but simply because Gann had recommended it to me and maybe because it was on the road going north. Gann was right, “They’re really wild!”

When I called in at the office on Kleiner Hirschgraben Street, I was greeted by Klaus Thiele, who today runs a small publishing house in Mexico and who at that time was the director of the department for foreign exhibitions for the Exposition and Fair Company.

“Do you speak French?” That was Thiele’s first question as soon as I had introduced myself. I had to say no. I hadn’t had any French at school, though I had taken a year afterwards at Berlitz. There could be no question of my “knowing” French.

“Too bad, because you don’t have any chance at all then!” he answered in a distressed tone.

“Our director is a Francophile, and it’s quite likely that he will conduct the interview in French.”

Well, the die was cast, and I didn’t want to spoil a bit of fun for the boss. After a few minutes I was admitted to the director’s office, and as I had been warned, a beaming Sigfred Taubert came around his big desk and said to me, “Bonjour, Monsieur!”

Read the rest of the story in Life Before Letters.

At the 20th Frankfurt Book Fair, my first Book Fair as part of the organizational team, I participated only as an observer. As a new colleague in the exhibition department, I was not directly involved in the work of the Fair, though here and there I did my part with smaller tasks and errands. I could therefore look at the events on the fairgrounds with a certain cool composure.

It was quite the opposite for Sigfred Taubert, who despite all declarations to the contrary was deeply affected in his self-understanding as director of the Fair, something which in my opinion a few years later factored into his decision to take an early retirement.

I was cool and collected, but I was certainly far from being able to get a general picture of things. In my memory, I see myself drawn again and again into excited and wildly gesticulating discussion groups. Due to the crowded corridors in the Fair, it was not possible to be at all moments at the center of the action, and so most of the time I tried to find out in the offices of the Fair management when and where something had actually happened. However, hundreds of disgruntled exhibitors and Fair visitors were on the same mission. The result was that here as well as outside in the halls the chaos unfolded like a giant battle royale, in which otherwise well-mannered and respectable people suddenly lost their composure and advanced on the supervisors with wild screams in order to register their complaints, their problems and their demands.

Once I grabbed a well-known author by the arm as he insisted with choleric hiccups on seeing the fair director on the spot, followed by an old publisher who was foaming at the mouth. Then I started in with the words “whoever is screaming is wrong” in a counterattack on an excited contemporary (the author of The Revolution Releases its Children), whom the bookkeeper Ingrid Lenz was holding onto tightly. Snarling with rage, he then turned on me and would not let go of my jacket collar for a good ten minutes. An unholy bedlam reigned over the entire Fair, and hardly anybody could get on with business. What was the point?

Only at the end of each day of the Fair could we employees pry from a visibly exhausted Fair director just what had happened that day. On the following morning we received the accounts in the press that were played out with relish, but which seriously differed from the internal reports.

The Book Fair began on a Thursday, and went relatively smoothly with regard to the practical matters of the Fair. The supervisory board of the Exposition and Fair Company and the management of the German Publishers Association basically had the building on lock-down after the previous year’s spontaneous demonstrations against the right-wing publisher Axel-Springer and the occupation of the Greek national stall. The security arrangements were very intrusive. Every visitor was affected and had to undergo heightened security checks when entering the fairgrounds. Placards and signs were confiscated at the entrance.

The Fair management and the supervisory board had decided on another classic measure. They had hundreds of policemen stationed on the fairgrounds with all their standard equipment of police cars, paddy wagons, water cannon and riot shields.

On Friday the author, Minister of Finance and controversial politician Franz-Josef Strauss, insisted on giving an interview to German television at the stand of the Seewald Verlag. An apprehensive Sigfred Taubert accompanied the Minister through a below-ground entrance to the site of his appearance. Then, without any seeming provocation, he ordered the police to remove the waiting German and foreign journalists. Apparently in the group he had seen the two Socialist German Student Union leaders Daniel Cohn-Bendit and Hans-Jürgen Krahl and a half-dozen others who appeared to be protesters.

In his memoirs here is the way it reads:

I took the megaphone… and looked at the crowd, where Daniel Cohn-Bendit and Hans-Jürgen Krahl were setting the tone. I suffered under no illusion that I could achieve anything with my words. I was powerless against the crowd. In vain I demanded that the corridor in which the publishing booth was located should be kept clear.

While this confrontation was limited to the immediate area of the Seewald Verlag in the large Hall 5 (today Hall 8), on the following day, a Saturday, the situation got much worse in Hall 6, where German belles-lettres was located.

The Socialist German Student Union (the Sozialistische Deutsche Studentenbundd or SDS) had called for a teach-in on Saturday, September 21, 1968, at 4 PM, in Hall 6, stall 1148 of the Diedrich Verlag, a company which had published the works of that year’s recipient of the peace prize Léopold Senghor. The teach-in was to discuss his important role in his own country and the Afro-American revolution in general.

Taubert:

If we assumed the passive attitude of a well-intentioned Fair management, I could not count on the literary publishing houses set up in Hall 6 being able to withstand an hours-long SDS program. I also doubted how they might greet such a passive attitude from management. I finally settled on the tactic of direct intervention.

And so at 2 PM, the time at which the general public had access to the Fair, he had Hall 6 closed by the police. Whoever was already inside had to remain inside, and whoever was outside could not get in. Only exhibitors and journalists were exempted from this regulation. Only one person, who was neither the one nor the other, got into Hall 6 without being bothered by the police and soon left again – the chairman of the neo-Nazi NPD party Adold von Thadden, who had apparently gotten in with a press pass. It was obvious that this sideshow had great symbolic power, and it was played up by the press and by protesters with great fanfare.

Indescribable scenes played out at the entrances to the Hall. Whoever is familiar with the highly sensitive public intellectuals of our Fair can imagine the reaction elicited by such sudden restrictions on their freedom of movement.

When Sigfred Taubert finally understood that the teach-in under the given circumstances affected only small parts of Hall 6, he had the police withdrawn and the Hall reopened.

[Read the whole story at SeeYouInFrankfurt.com]